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List of artists

(alphabetized by first name)

Amelia Bird
Anna Daedalus
Bonnie Thompson Norman
Bryan Kring
Carrie L. Larson
Casey Gardner
Cathryn Miller
Charlene Asato
Christine Martell
Colin Frazer
Cynthia Colbert
Cynthia Nourse Thompson
Dennis Yuen
Emily Martin
Erin Sweeney
Heather Doyle-Maier
Heather Kasvinsky
Joanne Price
Joshua Orr
Karen Chew & Nanette Wylde
Karen Kunc
Kelly Parsell
Kyle Holland
Laurie Weiss
Lesley Mitchell
Linda K Johnson
Lori Reed
Marie Marcano
Merike van Zanten
Peggy Johnston
Ravi Shukla + S. Arden Hill
Rebecca Chamlee
Rebecca Childers
Sammy Seung-min Lee
Sarah McDermott
Servane Briand
Sun Young Kang
Turner Hilliker

     

Cynthia Nourse Thompson

Memphis, Tennessee

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Grievous

handmade paper, goatskin, thread, nickel clasps

6 x 9 x 3 closed; 9 x 12 open, with 12 inch girdle

edition of 5

© 2010

$3200

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Letterpress printed from photopolymer plates on paper made from the cotton rag fiber of an unblessed cappa, or cloak— as part of the habit of The Order of Preachers founded by Saint Dominic [1170–1221]. This black cloak is worn as a sign of penance, while the underlying white habit in contrast, equates purity.


 

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Remorse

handmade paper, goatskin, thread, nickel clasps

6 x 9 x 3 closed; 9 x 12 open, with 12 inch girdle

edition of 5

© 2010

$3200

Letterpress printed from photopolymer plates made from the cotton rag fiber of unblessed purificators and corporals— linens which are governed at the Sacrifice of the Mass of the Catholic Church and are used to cover the body [wafer] and blood [wine] during the Communion Ceremony. The sequence of watermarks were adapted from the monograph Floriated Ornament: A Series of Thirty-one Designs by Augustus Welby Northmore Pugin [1812-1852] and were originally published by Henry G. Bohn, London in 1849.

Both books are hand-bound as girdle books with goatskin, have hand-sewn headbands and nickel clasps made by the artist.

These pieces contain strong religious undertones and have often been described as Catholic in nature and aesthetic — clean, pure, and ordered. Many of the surfaces and materials used in Thompson’s work simulate flesh and thus evoke the body, an association of great significance. Using the body as the site of personal investigation, the physical manifestations of denial, shame, and oppression are explored and issues surrounding the female body are examined.

Cynthia Thompson is Professor of Book and Paper Arts and Chair of the Fine Arts Department at Memphis College of Art. She has also been visiting faculty at University of Georgia?s study abroad program in Cortona, Italy. Thompson was the recipient of the 2003 Tennessee State Arts Commission Fellowship Grant and has been awarded numerous other residencies.