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Adelle Outerridge

Alicia Bailey

Amanda Watson-Will

Amelia Bird

Andrea Crane

Christopher Janke

Claire Jeanine Satin

Denise Bookwalter

Douglas Buebe

Emily Artinian

Holly Hanessian

Irene Chan

Jan Owen

Macy Chadwick

Mira Coviensky

Mirabelle Jones

Pamela Zwehl-Burke

RD Burton

Robbin Ami Silverberg

Terri Tibbatts

Thomas Parker Williams

Tonia Bonnell

Wim de Vos

 

Adele Outteridge

Brisbane, Queensland, Australia

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Self Portrait

acrylic sheet, translucent paper, waxed thread

5½ x 7¾ x 1

edition of 5

© 2010

$1500

A metaphor for how we reveal ourselves to strangers, acquaintances or friends.

Two sculptural concertina books from acrylic sheet, one incorporates translucent paper and threads, the other acrylic sheet with inserts, threads.

Adele Outteridge / Wim de Vos

Brisbane, Queensland, Australia

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Small Sound Book

acrylic sheet, linen thread

4¼ x 4¼ x 2¾ closed

edition of 5

© 2012

$2500

An exploration of sounds produced by different shaped and sized acrylic discs suspended within a concertina book of 28 pages made from acrylic sheet.

Adele Outteridge, book artist, printmaker, sculptor, gained her BSc from the University of Melbourne in 1967, after which she worked as an Experimental Scientist. She later studied with the School of Colour and Design in Sydney and has attended workshops with Australian and international tutors. She taught at the School of Colour and Design and at the Ku-Ring-Gai Art Centre in Sydney. She runs the Studio West End with Wim de Vos and travels to all states of Australia lecturing and teaching workshops. She has participated in several Artist-in-Residence programmes. In 2003 she taught at the Arrowmont School, Tennessee and the Women’s Studio Workshop, New York. Her work in artists’ books, printmaking, sculpture and drawing has been exhibited widely, is held in private and public collections nationally and internationally and has appeared in books and magazines in Australia and overseas (notably Keith Smith’s Non-Adhesive Binding series and Masters: Book Arts, ed Eileen Wallace).